What is it about Kate Bush and her breakthrough
single? I
thought she was kind of ridiculous when that song first came out, but I liked
it in spite of myself, floppy sleeves, overwrought mannerisms and all. As I got older it came
to represent a certain kind of romanticism and female strength, and a
connection to ye olde English tales and landscapes. Not just the Bronte
connection, but the long tangled thread back to Herne the hunter, talking
badgers, lions, hounds, and unicorns. Maybe it was those misty trees.
Kate Bush herself was uncompromisingly individual and unpackaged,
and quite apart
from her sheer musicality, there was the furniture-chewing drama of
her videos, the romanticism, the female-centric stories of her songs. Now I
can’t tell – is my ongoing fandom ironic? Or am I invested more deeply, retrospectively
approving my younger self’s taste; celebrating my own successful transition
into adulthood after an adolescence full of darkness and gothic misery.
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Wuthery trees source |
I expect all women of my vintage had similar struggles as
teenagers, sulking alone in our rooms, but this week we all got together in the
park, on a bright wintery Wellington Saturday, to recreate the famous
Wuthering Heights dance. Thank f*k we made it through, we could be saying
with every flouncey spin, because that adolescence could have gone horribly
wrong. But here we are: all of us who used to prance around in private, imagining we were as powerful,
as confident in our weirdness and our talents, and our silliness, as Kate Bush.
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The Most Wuthering Heights Day Ever: Wellington. Photo credit: Joanna Holden |
She was only 18 when she wrote Wuthering Heights; no one can say
she didn’t own her own twee-ness as a teenager. She celebrated it. At an age
where the rest of us were self-consciously trying to hide our more goofy facets, Kate Bush was in full flight, emoting wildly. She was
unrelentingly herself, in a way that the cookie-cutter mouthpieces who dominate
pop music have never been brave or intelligent enough to be.
While she surely had her influences, you couldn’t say she modeled
herself on them, and although there were some great
songs on
the charts in
1978, in
pop music terms she really
was out on her own: a
unique talent. She might not fit the stereotype of punk but she embodied its
ethos more authentically than many a spiky-haired hobby band that followed.
So thanks, Kate Bush, you gave me something to admire and giggle
at in the same breath, through some very tough times. And thanks, adolescence,
you made me who I am. I hated you (I loved you too).